Review: BABY Audio’s SPACED OUT Gets Travis Scott ASTROWORLD FX Fast

BABY Audio has been on a tear this year, first with COMEBACK KID, then PARALLEL AGGRESSOR. Today, they’ve released their most ambitious plugin yet...

Dual Review: PreSonus FaderPort and ioStation 24c

Out with the Old Recently, I've been going through a cleansing ritual at Everything Recording HQ. Computer formatted, plugin folders liquidated, and a long hard...

Loopcloud Offers Huge Black Friday Subscription Deal

Unless you've been under a rock (which these days may be a very safe place to socially distance), Black Friday 2020 is upon us...
Ozone 9

A “Lived In” Review of iZotope Ozone 9

We have watched Ozone grow over the past several years (Ozone 7 Review) (Ozone 8 Review). For Ozone 9, we decided to do something...

Review: Oeksound Soothe 2

Yes, Everything Recording is a little tardy to the Oeksound party, but we’re a small operation over here. Better late than never, right? Either...
UVI Drum Replacer

Review: UVI Drum Replacer

We all have "that" drum "triggering" software that has dominated the space for years, but maybe it's time for a change. I can admit...
Avid Carbon

Avid Releases Pro Tools – Carbon

It's been years since Avid has spruced up their lineup of interfaces. A whole new subset of engineers has emerged, with different needs than...

MIX TEMPLATES: THE LAST TEMPTATION

As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template....

STL TONES TONEHUB: A TONE-MONGER’S PARADISE

A few months back, we did a fairly comprehensive review of STL Tones' "Tonality" - which now offers a layer of Chris Lord-Alge-ness with...

BEAUTIFUL FREAKS: FREAKSHOW INDUSTRIES PLUG-INS

THE FREAKS ARE ALRIGHT I know I’ve been somewhat outspoken on this at times, but I can get a little bored with the miasma in...