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A Fresh Look At The PreSonus Quantum 4848
Behold! The PreSonus Quantum 4848 in all its minimalist glory.
NO FRILLS. ALL THRILLS.
Twenty years ago, the Digidesign (now Avid) MBox was a milestone in the home studio DAW market. Prior to the year 2000, audio interfaces tended to be straight-ahead affairs with nothing more than line level inputs and outputs. But the MBox, with its quirky monolith form factor, bundled ProTools LE software and "designed by Focusrite" preamps gave aspiring producers a complete...
The Everything Recording Guide to “Going Pro”
So you’ve notched a few years under your belt as an audio engineer...
You’ve been recording for friends, acquaintances and friends-of-acquaintances.They’re all happy with the results, one even referred you to some friends. You’ve mixed some cuts for a local post-rock band, polished some EDM mixes, edited a local voiceover artist and even tried your hands at mastering your own demo. People told you that it sounded “pretty badass” and that it “hangs in...
Five 500 Series Modules For Under $500
CHAMPAGNE TASTE AT A SPARKLING WINE PRICE.
What is it about the 500 series format that makes it so popular? I guess for some, it's building modular setups that cater exactly to what they want to record. For others, it's being able to easily switch out modules for different applications. But underneath it all, being able to have "a bit of this and a bit of that" all in one rack is pretty damn...
TUBES OF GLUE: THE TEGELER VTC
Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church patches in Tegeler's OG: The VTC.
COMPRESSORS, COMPRESSORS EVERYWHERE
It's weird, we hadn't reviewed a hardware compressor in a while and then, seemingly out of nowhere, a month doesn't go by where I'm not wiring up a new box of chips, bulbs, and wires to fawn over. You'd think I'd be...
PREAMPS: A NEOPHYTE’S GUIDE
Today, I'd like to introduce our newest contributor to Everything Recording. I was browsing the Reddit r/AudioEngineering sub and saw an incredible post by B. Church. He posted a very concise writeup on something we all get a little too caught up in - Preamps. While this website deals in announcing the latest and greatest new piece of gear, sometimes we all need to recenter our perspective. I reached out to B. Church and...
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GOD COMPLEX: CRADLE’S THE GOD PARTICLE
Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B Church puts aside his bias towards celebrity engineer plugins and black box solutions to give you his take.
C'MON, WE ALL DO IT
I liken plug-ins like the Waves' "One Knob" series or any similar "black box"-type processors to online adult content. Though you'll never meet anyone who's an outspoken enthusiast,...
Exclusive: Interview with Abandoned Pools
I've been a huge fan of Abandoned Pools since their first album Humanistic. Today, Tommy is releasing his long awaited third full length album Sublime Currency and was generous enough to give us an exclusive interview.
What makes this particular interview perfect for this site is that Tommy writes, tracks, produces, engineers, and mixes the project from start to finish. Very rarely do you see an artist that versatile and committed to putting out...
MIX TEMPLATES: THE LAST TEMPTATION
As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template. I thought it might be a good time to have an unwanted, unwelcome "expectations management" session for those who think 10 million SoundCloud plays are just a point and click away.
STATING THE OB(li)VIOUS
People who produce and engineer music are competitive. Yes, we all like to speak in communal platitudes...
What I Learned from F. Reid Shippen
“There are no mixing rock stars.”
This sentence resonates an attitude that is slowly falling by the wayside amid a vast landscape of social media and reality TV. It seems that everyone nowadays is performing to whatever crowd of friends, followers, and strangers… trying to be noticed and become the next big thing. Although this attitude is needed in most fields of the entertainment world, being an audio engineer requires a contradictory outlook. This...
A Fireside Chat With Howard Benson and Chris Lord-Alge
Sure, we can go on all day about STLTones Tonality. In fact, we just did. But we figured, wouldn’t it be better to talk to the engineering ears and mixing minds behind the sounds? Chris Lord-Alge and Howard Benson took some time to sit down with us and give their take.
Just give us a little background on how Tonality started?
HOWARD: Chris has been in the plug-in business a very long time, and I...
LATEST ARTICLES
MY WAVEFORMS ARE WEAPONS: THE AUDIOSCAPE D-COMP
"Oh my God, not another one." - Mrs. B Church
That's the thing about leaving the big studios and setting up shop in a converted...
Sam Thomas – The Making of the Kontakt/NKS The Sound of Love Lost Virtual...
Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its...
THE REAL F-BOMB: THE FLOCK AUDIO PATCH
As you may suspect, reviewing gear does have some pitfalls – a handful of drawbacks but usually your run-of-the-mill "good problems". The latter presents...
GOD COMPLEX: CRADLE’S THE GOD PARTICLE
Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B...
NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...
TUBES OF GLUE: THE TEGELER VTC
Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...
HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.
There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...
Avid’s Pro Tools “Re-Tool” Explained in Plain English
If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...
A Lived-in Review: Pro Tools | Carbon
About a year and a half ago, I got the itch. I sold off roughly 60% of my gear and decided it was time...
