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2020 NAMM Wrapup
After a whirlwind weekend in Anaheim, CA the ER.com crew are back to report on not only what we saw at this year’s four-day bacchanal, but what we didn’t. (Bryan promised us Magic Mountain if we were good - sadly, we were not. Blame the $2.99 Mango Bahama Blast Margaritas at the Applebee’s across the street from the Comfort Inn)
Of course there was the usual smorgasbord of the newest, hottest, latest, bigger-faster-louderest gizmos...
LIKE… REALLY, REALLY BIG: ARTURIA V COLLECTION 8
In Douglas Adams' "Hitchhiker's Guide To The Galaxy", the titular guidebook explains the endless expanse of outer space as follows: "Space is big. You just won't believe how vastly, hugely, mind-bogglingly big it is." For the DAW-based keyboard and synthesizer enthusiast, Arturia's V Collection, now in it's 8th edition, represents a collection of instruments that seeks to answer just how endless a concept like "endless" is.
V Collection 8 is, put another way, a...
NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past two years of pandemic-based societal collapse. But this year, facemasks and bear spray in hand, we traveled to sunny Anaheim, CA, ready to again report back with the world's biggest gizmo orgasm. Manufacturers big and small from around the globe, hocking their latest wares over the world's loudest trade...
A Fresh Look At The PreSonus Quantum 4848
Behold! The PreSonus Quantum 4848 in all its minimalist glory.
NO FRILLS. ALL THRILLS.
Twenty years ago, the Digidesign (now Avid) MBox was a milestone in the home studio DAW market. Prior to the year 2000, audio interfaces tended to be straight-ahead affairs with nothing more than line level inputs and outputs. But the MBox, with its quirky monolith form factor, bundled ProTools LE software and "designed by Focusrite" preamps gave aspiring producers a complete...
Five 500 Series Modules For Under $500
CHAMPAGNE TASTE AT A SPARKLING WINE PRICE.
What is it about the 500 series format that makes it so popular? I guess for some, it's building modular setups that cater exactly to what they want to record. For others, it's being able to easily switch out modules for different applications. But underneath it all, being able to have "a bit of this and a bit of that" all in one rack is pretty damn...
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LIKE… REALLY, REALLY BIG: ARTURIA V COLLECTION 8
In Douglas Adams' "Hitchhiker's Guide To The Galaxy", the titular guidebook explains the endless expanse of outer space as follows: "Space is big. You just won't believe how vastly, hugely, mind-bogglingly big it is." For the DAW-based keyboard and synthesizer enthusiast, Arturia's V Collection, now in it's 8th edition, represents a collection of instruments that seeks to answer just how endless a concept like "endless" is.
V Collection 8 is, put another way, a...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot of guitars - not just for clients but my own projects - their ToneHub guitar amp modeling plug-in is the de facto choice. Not just for 'let's use a plug-in'-type situations, either.
In the three or four years since ToneHub dropped, the folks at STL Tones have been steadily producing...
The Evolution of a Life-Changing Idea – Jeremy Bell – ScrubBoard
Today we have a guest post from Jeremy Bell. If you're not familiar with the name, I'd bet you've watched videos (this one and this one) on his groundbreaking creation, the Scrub Board. I've been following him throughout the development and lucky for me, he wrote an exclusive article on the complete evolution of the Scrub Board. Enjoy!
“It all started with Laurie Anderson.” This is always my reply to the inevitable questions about where...
MIX TEMPLATES: THE LAST TEMPTATION
As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template. I thought it might be a good time to have an unwanted, unwelcome "expectations management" session for those who think 10 million SoundCloud plays are just a point and click away.
STATING THE OB(li)VIOUS
People who produce and engineer music are competitive. Yes, we all like to speak in communal platitudes...
AUSTRIAN AUDIO: THE SOUND OF MUSIC
Sometimes when we review a product from another country, the tendency is to open with a quick quip about it being from the land of fine meats and cheeses, their abundance of elk or whatever else the Wikipedia search turns up. Beyond the iconic countryside scenes of "The Sound Of Music", Austria’s most notable exports have come from Akustische und Kino-Geräte Gesellschaft m.b.H, better known to the world as “AKG”. AKG certainly need...
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NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...
TUBES OF GLUE: THE TEGELER VTC
Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...
HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.
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If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...





















