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NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past two years of pandemic-based societal collapse. But this year, facemasks and bear spray in hand, we traveled to sunny Anaheim, CA, ready to again report back with the world's biggest gizmo orgasm. Manufacturers big and small from around the globe, hocking their latest wares over the world's loudest trade...
MIX TEMPLATES: THE LAST TEMPTATION
As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template. I thought it might be a good time to have an unwanted, unwelcome "expectations management" session for those who think 10 million SoundCloud plays are just a point and click away.
STATING THE OB(li)VIOUS
People who produce and engineer music are competitive. Yes, we all like to speak in communal platitudes...
A Fresh Look At The PreSonus Quantum 4848
Behold! The PreSonus Quantum 4848 in all its minimalist glory.
NO FRILLS. ALL THRILLS.
Twenty years ago, the Digidesign (now Avid) MBox was a milestone in the home studio DAW market. Prior to the year 2000, audio interfaces tended to be straight-ahead affairs with nothing more than line level inputs and outputs. But the MBox, with its quirky monolith form factor, bundled ProTools LE software and "designed by Focusrite" preamps gave aspiring producers a complete...
2020 NAMM Wrapup
After a whirlwind weekend in Anaheim, CA the ER.com crew are back to report on not only what we saw at this year’s four-day bacchanal, but what we didn’t. (Bryan promised us Magic Mountain if we were good - sadly, we were not. Blame the $2.99 Mango Bahama Blast Margaritas at the Applebee’s across the street from the Comfort Inn)
Of course there was the usual smorgasbord of the newest, hottest, latest, bigger-faster-louderest gizmos...
MY WAVEFORMS ARE WEAPONS: THE AUDIOSCAPE D-COMP
"Oh my God, not another one." - Mrs. B Church
That's the thing about leaving the big studios and setting up shop in a converted NYC bedroom, I guess. Not that my wife could tell you what any of my gear is or what it does in the context of producing music. Or that she cares, despite my occasional excited demonstrations. But splurge for so much as a new set of fancy 500 series...
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Featured Posts
The Evolution of a Life-Changing Idea – Jeremy Bell – ScrubBoard
Today we have a guest post from Jeremy Bell. If you're not familiar with the name, I'd bet you've watched videos (this one and this one) on his groundbreaking creation, the Scrub Board. I've been following him throughout the development and lucky for me, he wrote an exclusive article on the complete evolution of the Scrub Board. Enjoy!
“It all started with Laurie Anderson.” This is always my reply to the inevitable questions about where...
GOD COMPLEX: CRADLE’S THE GOD PARTICLE
Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B Church puts aside his bias towards celebrity engineer plugins and black box solutions to give you his take.
C'MON, WE ALL DO IT
I liken plug-ins like the Waves' "One Knob" series or any similar "black box"-type processors to online adult content. Though you'll never meet anyone who's an outspoken enthusiast,...
Demystifying Acoustics with Jeff Hedback – Part 3
This is Part 3 of a 4-part series. To start from the beginning, visit Part 1.
When we left off in Part 2, we built the space, determined the mix position, and measured the room for proper treatment. We also ended with a bit of a cliffhanger on how we were going to treat the room. We had an initial plan but circled back due to a few factors. In part 3, we look...
What I Learned from F. Reid Shippen
“There are no mixing rock stars.”
This sentence resonates an attitude that is slowly falling by the wayside amid a vast landscape of social media and reality TV. It seems that everyone nowadays is performing to whatever crowd of friends, followers, and strangers… trying to be noticed and become the next big thing. Although this attitude is needed in most fields of the entertainment world, being an audio engineer requires a contradictory outlook. This...
THAT DISNEY GLAMPLE IS HASHED : 11 NEW AUDIO TERMS FOR 2021
"Mojo." "Warmth." "Punchy." "Forward." Few professions trade in the glut of buzzwords, idioms and analogies quite like audio production. These pieces of hazy phraseology serve not only to describe the seemingly indescribable, but force others to nod along knowingly, lest you discover they have no idea what the hell you're talking about.
But this year, EverythingRecording is turning the tables. There's no better buzzword than the one you create yourself and then unleash upon...
LATEST ARTICLES
MY WAVEFORMS ARE WEAPONS: THE AUDIOSCAPE D-COMP
"Oh my God, not another one." - Mrs. B Church
That's the thing about leaving the big studios and setting up shop in a converted...
Review: ProtoArc EC100
What's the most overlooked, but important person piece of gear in the studio? No, it's not that bloated list of software synths and plugins...
Sam Thomas – The Making of the Kontakt/NKS The Sound of Love Lost Virtual...
Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its...
THE REAL F-BOMB: THE FLOCK AUDIO PATCH
As you may suspect, reviewing gear does have some pitfalls – a handful of drawbacks but usually your run-of-the-mill "good problems". The latter presents...
GOD COMPLEX: CRADLE’S THE GOD PARTICLE
Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B...
NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...
TUBES OF GLUE: THE TEGELER VTC
Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...
HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.
There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...
Avid’s Pro Tools “Re-Tool” Explained in Plain English
If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...





















