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MIX TEMPLATES: THE LAST TEMPTATION
As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template. I thought it might be a good time to have an unwanted, unwelcome "expectations management" session for those who think 10 million SoundCloud plays are just a point and click away.
STATING THE OB(li)VIOUS
People who produce and engineer music are competitive. Yes, we all like to speak in communal platitudes...
PREAMPS: A NEOPHYTE’S GUIDE
Today, I'd like to introduce our newest contributor to Everything Recording. I was browsing the Reddit r/AudioEngineering sub and saw an incredible post by B. Church. He posted a very concise writeup on something we all get a little too caught up in - Preamps. While this website deals in announcing the latest and greatest new piece of gear, sometimes we all need to recenter our perspective. I reached out to B. Church and...
OF METAL AND IMMORTALITY. THE TERRY DATE INTERVIEW.
Sure, Quiet Riot may have sang “Bang Your Head”, but Terry Date has made a hundred records that literally MAKE you do it. While some producers have careers, Terry Date has carved out a legacy. As the sonic architect of pivotal albums like Pantera’s “Vulgar Display Of Power”, Deftones’ “White Pony” and Soundgarden’s “Louder Than Love”, his influence is still heard on just about every heavy artist and album out there today.
With Terry...
A Fresh Look At The PreSonus Quantum 4848
Behold! The PreSonus Quantum 4848 in all its minimalist glory.
NO FRILLS. ALL THRILLS.
Twenty years ago, the Digidesign (now Avid) MBox was a milestone in the home studio DAW market. Prior to the year 2000, audio interfaces tended to be straight-ahead affairs with nothing more than line level inputs and outputs. But the MBox, with its quirky monolith form factor, bundled ProTools LE software and "designed by Focusrite" preamps gave aspiring producers a complete...
THAT DISNEY GLAMPLE IS HASHED : 11 NEW AUDIO TERMS FOR 2021
"Mojo." "Warmth." "Punchy." "Forward." Few professions trade in the glut of buzzwords, idioms and analogies quite like audio production. These pieces of hazy phraseology serve not only to describe the seemingly indescribable, but force others to nod along knowingly, lest you discover they have no idea what the hell you're talking about.
But this year, EverythingRecording is turning the tables. There's no better buzzword than the one you create yourself and then unleash upon...
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NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past two years of pandemic-based societal collapse. But this year, facemasks and bear spray in hand, we traveled to sunny Anaheim, CA, ready to again report back with the world's biggest gizmo orgasm. Manufacturers big and small from around the globe, hocking their latest wares over the world's loudest trade...
Demystifying Acoustics with Jeff Hedback – Part 2
In Part 1, we discussed the misleading paths that every engineer initially faces when the mix doesn’t translate. We also brought in an important ally – Jeff Hedback, owner of HD Acoustics. Part 2 brings in Everything Recording’s new studio space and all of the groundwork you need to lay before even considering what’s going on the walls. With the introductions out of the way, let’s get to the good stuff.
Do-Over
New house -...
Guerrilla Recording and Mixing with Nathan Daniel Music
There is that point all of us find ourselves when we know just enough about tracking and mixing to be dangerous. We’ve become aware that there is specific gear that pros use and various forums, articles, as well as ads for products all telling you “you need this or your mixes will never sound like (insert the “IT” mix engineer of the time)”. All the while you’re simply trying to get some semblance...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot of guitars - not just for clients but my own projects - their ToneHub guitar amp modeling plug-in is the de facto choice. Not just for 'let's use a plug-in'-type situations, either.
In the three or four years since ToneHub dropped, the folks at STL Tones have been steadily producing...
Demystifying Acoustics with Jeff Hedback – Part 3
This is Part 3 of a 4-part series. To start from the beginning, visit Part 1.
When we left off in Part 2, we built the space, determined the mix position, and measured the room for proper treatment. We also ended with a bit of a cliffhanger on how we were going to treat the room. We had an initial plan but circled back due to a few factors. In part 3, we look...
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Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B...
NAMM 2022: ELECTRONIC BOOGALOO
We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...
TUBES OF GLUE: THE TEGELER VTC
Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...
THE HYPE MACHINE: STL TONES CONTROLHUB
It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...
HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.
There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...
Avid’s Pro Tools “Re-Tool” Explained in Plain English
If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...
A Lived-in Review: Pro Tools | Carbon
About a year and a half ago, I got the itch. I sold off roughly 60% of my gear and decided it was time...