LATEST ARTICLES

MY WAVEFORMS ARE WEAPONS: THE AUDIOSCAPE D-COMP

"Oh my God, not another one." - Mrs. B Church That's the thing about leaving the big studios and setting up shop in a converted...
The Sound of Love Virtual Instrument

Sam Thomas – The Making of the Kontakt/NKS The Sound of Love Lost Virtual...

Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its...

THE REAL F-BOMB: THE FLOCK AUDIO PATCH

As you may suspect, reviewing gear does have some pitfalls – a handful of drawbacks but usually your run-of-the-mill "good problems". The latter presents...

GOD COMPLEX: CRADLE’S THE GOD PARTICLE

Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B...

NAMM 2022: ELECTRONIC BOOGALOO

We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...

TUBES OF GLUE: THE TEGELER VTC

Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...

THE HYPE MACHINE: STL TONES CONTROLHUB

It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...

HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.

There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...

Avid’s Pro Tools “Re-Tool” Explained in Plain English

If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...

A Lived-in Review: Pro Tools | Carbon

About a year and a half ago, I got the itch. I sold off roughly 60% of my gear and decided it was time...