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OF METAL AND IMMORTALITY. THE TERRY DATE INTERVIEW.
Sure, Quiet Riot may have sang “Bang Your Head”, but Terry Date has made a hundred records that literally MAKE you do it. While some producers have careers, Terry Date has carved out a legacy. As the sonic architect of pivotal albums like Pantera’s “Vulgar Display Of Power”, Deftones’ “White Pony” and Soundgarden’s “Louder Than Love”, his influence is still heard on just about every heavy artist and album out there today.
With Terry...
2020 NAMM Wrapup
After a whirlwind weekend in Anaheim, CA the ER.com crew are back to report on not only what we saw at this year’s four-day bacchanal, but what we didn’t. (Bryan promised us Magic Mountain if we were good - sadly, we were not. Blame the $2.99 Mango Bahama Blast Margaritas at the Applebee’s across the street from the Comfort Inn)
Of course there was the usual smorgasbord of the newest, hottest, latest, bigger-faster-louderest gizmos...
The Everything Recording Guide to “Going Pro”
So you’ve notched a few years under your belt as an audio engineer...
You’ve been recording for friends, acquaintances and friends-of-acquaintances.They’re all happy with the results, one even referred you to some friends. You’ve mixed some cuts for a local post-rock band, polished some EDM mixes, edited a local voiceover artist and even tried your hands at mastering your own demo. People told you that it sounded “pretty badass” and that it “hangs in...
A Fireside Chat With Howard Benson and Chris Lord-Alge
Sure, we can go on all day about STLTones Tonality. In fact, we just did. But we figured, wouldn’t it be better to talk to the engineering ears and mixing minds behind the sounds? Chris Lord-Alge and Howard Benson took some time to sit down with us and give their take.
Just give us a little background on how Tonality started?
HOWARD: Chris has been in the plug-in business a very long time, and I...
Five 500 Series Modules For Under $500
CHAMPAGNE TASTE AT A SPARKLING WINE PRICE.
What is it about the 500 series format that makes it so popular? I guess for some, it's building modular setups that cater exactly to what they want to record. For others, it's being able to easily switch out modules for different applications. But underneath it all, being able to have "a bit of this and a bit of that" all in one rack is pretty damn...
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BEAUTIFUL FREAKS: FREAKSHOW INDUSTRIES PLUG-INS
THE FREAKS ARE ALRIGHT
I know I’ve been somewhat outspoken on this at times, but I can get a little bored with the miasma in the world of plug-ins. Oh, a new 1176 limiter? Much excite! Oh, but wait - NO! There's a fifth “ratio” button and a variable attack time?!?! Excuse me while I mop up all this liquid excitement that’s pooled up around my chair.
That’s why, in this redundant world of clones...
MIX TEMPLATES: THE LAST TEMPTATION
As I edit this, the online engineer cognoscenti are prattling on about "Ocean Eyes" by Billie Eilish being available as a Logic Pro template. I thought it might be a good time to have an unwanted, unwelcome "expectations management" session for those who think 10 million SoundCloud plays are just a point and click away.
STATING THE OB(li)VIOUS
People who produce and engineer music are competitive. Yes, we all like to speak in communal platitudes...
STL TONES TONEHUB: A TONE-MONGER’S PARADISE
A few months back, we did a fairly comprehensive review of STL Tones' "Tonality" - which now offers a layer of Chris Lord-Alge-ness with a selection of his own "pre-mixed" presets. Though we universally praised both its ease of use and staggeringly solid emulation, a frequent remark was that without more granular tone-tweaks like mic placement and a more robust effect assortment, some might find themselves left wanting. And for those people, they'd...
Guerrilla Recording and Mixing with Nathan Daniel Music
There is that point all of us find ourselves when we know just enough about tracking and mixing to be dangerous. We’ve become aware that there is specific gear that pros use and various forums, articles, as well as ads for products all telling you “you need this or your mixes will never sound like (insert the “IT” mix engineer of the time)”. All the while you’re simply trying to get some semblance...
AUSTRIAN AUDIO: THE SOUND OF MUSIC
Sometimes when we review a product from another country, the tendency is to open with a quick quip about it being from the land of fine meats and cheeses, their abundance of elk or whatever else the Wikipedia search turns up. Beyond the iconic countryside scenes of "The Sound Of Music", Austria’s most notable exports have come from Akustische und Kino-Geräte Gesellschaft m.b.H, better known to the world as “AKG”. AKG certainly need...
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STL TONES TONALITY: A FISTFUL OF TONE
IS IT LIVE? OR IS IT TONALITY?
Chris Lord-Alge gets into the mix with STLTones.
GETTING AMPED.
By this point in my wholly unremarkable career I’ve miked...
LIKE… REALLY, REALLY BIG: ARTURIA V COLLECTION 8
In Douglas Adams' "Hitchhiker's Guide To The Galaxy", the titular guidebook explains the endless expanse of outer space as follows: "Space is big. You...
THAT DISNEY GLAMPLE IS HASHED : 11 NEW AUDIO TERMS FOR 2021
"Mojo." "Warmth." "Punchy." "Forward." Few professions trade in the glut of buzzwords, idioms and analogies quite like audio production. These pieces of hazy phraseology...
Demystifying Acoustics with Jeff Hedback
Before you press the BUY button on whatever newfangled piece of signal chain you think is going to "up your mix game," give Part...
Review: BABY Audio’s SPACED OUT Gets Travis Scott ASTROWORLD FX Fast
BABY Audio has been on a tear this year, first with COMEBACK KID, then PARALLEL AGGRESSOR. Today, they’ve released their most ambitious plugin yet...
Dual Review: PreSonus FaderPort and ioStation 24c
Out with the Old
Recently, I've been going through a cleansing ritual at Everything Recording HQ. Computer formatted, plugin folders liquidated, and a long hard...
Loopcloud Offers Huge Black Friday Subscription Deal
Unless you've been under a rock (which these days may be a very safe place to socially distance), Black Friday 2020 is upon us...
A “Lived In” Review of iZotope Ozone 9
We have watched Ozone grow over the past several years (Ozone 7 Review) (Ozone 8 Review). For Ozone 9, we decided to do something...
Review: Oeksound Soothe 2
Yes, Everything Recording is a little tardy to the Oeksound party, but we’re a small operation over here. Better late than never, right? Either...
Review: UVI Drum Replacer
We all have "that" drum "triggering" software that has dominated the space for years, but maybe it's time for a change. I can admit...
Avid Releases Pro Tools – Carbon
It's been years since Avid has spruced up their lineup of interfaces. A whole new subset of engineers has emerged, with different needs than...
