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A Fresh Look At The PreSonus Quantum 4848
Behold! The PreSonus Quantum 4848 in all its minimalist glory.
NO FRILLS. ALL THRILLS.
Twenty years ago, the Digidesign (now Avid) MBox was a milestone in the home studio DAW market. Prior to the year 2000, audio interfaces tended to be straight-ahead affairs with nothing more than line level inputs and outputs. But the MBox, with its quirky monolith form factor, bundled ProTools LE software and "designed by Focusrite" preamps gave aspiring producers a complete...
PREAMPS: A NEOPHYTE’S GUIDE
Today, I'd like to introduce our newest contributor to Everything Recording. I was browsing the Reddit r/AudioEngineering sub and saw an incredible post by B. Church. He posted a very concise writeup on something we all get a little too caught up in - Preamps. While this website deals in announcing the latest and greatest new piece of gear, sometimes we all need to recenter our perspective. I reached out to B. Church and...
Demystifying Acoustics with Jeff Hedback – Part 3
This is Part 3 of a 4-part series. To start from the beginning, visit Part 1.
When we left off in Part 2, we built the space, determined the mix position, and measured the room for proper treatment. We also ended with a bit of a cliffhanger on how we were going to treat the room. We had an initial plan but circled back due to a few factors. In part 3, we look...
The Everything Recording Guide to “Going Pro”
So you’ve notched a few years under your belt as an audio engineer...
You’ve been recording for friends, acquaintances and friends-of-acquaintances.They’re all happy with the results, one even referred you to some friends. You’ve mixed some cuts for a local post-rock band, polished some EDM mixes, edited a local voiceover artist and even tried your hands at mastering your own demo. People told you that it sounded “pretty badass” and that it “hangs in...
LIKE… REALLY, REALLY BIG: ARTURIA V COLLECTION 8
In Douglas Adams' "Hitchhiker's Guide To The Galaxy", the titular guidebook explains the endless expanse of outer space as follows: "Space is big. You just won't believe how vastly, hugely, mind-bogglingly big it is." For the DAW-based keyboard and synthesizer enthusiast, Arturia's V Collection, now in it's 8th edition, represents a collection of instruments that seeks to answer just how endless a concept like "endless" is.
V Collection 8 is, put another way, a...
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Demystifying Acoustics with Jeff Hedback – Part 2
In Part 1, we discussed the misleading paths that every engineer initially faces when the mix doesn’t translate. We also brought in an important ally – Jeff Hedback, owner of HD Acoustics. Part 2 brings in Everything Recording’s new studio space and all of the groundwork you need to lay before even considering what’s going on the walls. With the introductions out of the way, let’s get to the good stuff.
Do-Over
New house -...
THAT DISNEY GLAMPLE IS HASHED : 11 NEW AUDIO TERMS FOR 2021
"Mojo." "Warmth." "Punchy." "Forward." Few professions trade in the glut of buzzwords, idioms and analogies quite like audio production. These pieces of hazy phraseology serve not only to describe the seemingly indescribable, but force others to nod along knowingly, lest you discover they have no idea what the hell you're talking about.
But this year, EverythingRecording is turning the tables. There's no better buzzword than the one you create yourself and then unleash upon...
A Fireside Chat With Howard Benson and Chris Lord-Alge
Sure, we can go on all day about STLTones Tonality. In fact, we just did. But we figured, wouldn’t it be better to talk to the engineering ears and mixing minds behind the sounds? Chris Lord-Alge and Howard Benson took some time to sit down with us and give their take.
Just give us a little background on how Tonality started?
HOWARD: Chris has been in the plug-in business a very long time, and I...
STL TONES TONEHUB: A TONE-MONGER’S PARADISE
A few months back, we did a fairly comprehensive review of STL Tones' "Tonality" - which now offers a layer of Chris Lord-Alge-ness with a selection of his own "pre-mixed" presets. Though we universally praised both its ease of use and staggeringly solid emulation, a frequent remark was that without more granular tone-tweaks like mic placement and a more robust effect assortment, some might find themselves left wanting. And for those people, they'd...
Exclusive: Interview with Abandoned Pools
I've been a huge fan of Abandoned Pools since their first album Humanistic. Today, Tommy is releasing his long awaited third full length album Sublime Currency and was generous enough to give us an exclusive interview.
What makes this particular interview perfect for this site is that Tommy writes, tracks, produces, engineers, and mixes the project from start to finish. Very rarely do you see an artist that versatile and committed to putting out...
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HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.
There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...
Avid’s Pro Tools “Re-Tool” Explained in Plain English
If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...
