A Lived-in Review: Pro Tools | Carbon
About a year and a half ago, I got the itch. I sold off roughly 60% of my gear and decided it was time...
Review: Soundtheory Gullfoss EQ
Hey everyone, Bryan here. I'd like to introduce Everything Recording's newest writer, Dave Willis. Not only is he a great writer, but he also...
Review: HOFA IQ-Series Reverb V2 – Not Your Dad’s Reverb
Space – the "final frontier." If you're going to tackle one of the most critical factors in giving richness and depth to your mixes,...
Demystifying Acoustics with Jeff Hedback – Part 3
This is Part 3 of a 4-part series. To start from the beginning, visit Part 1.
When we left off in Part 2, we built...
Review: BABY Audio – TAIP
Some say Artificial Intelligence will eventually destroy humanity. What you may not realize is AI can already destroy audio (in a good way). Meet...
SongChecks Launches: Have Heavy Hitters Analyze your Mix
Ever wondered, "what would Lu Diaz think of my banger?" Or even, "is my overall balance Billy Decker approved?" Now you don't have to....
Review: MIXLAND Rubber Band Compressor
For as long as I can remember, I've had one constant in my mixing workflow - the Waves RVox goes at the end of...
Review – What’s New : Pro Tools 2021.10
It's that time of year for our "State of the Pro Tools" review where we go over what's new, what we think about it,...
Demystifying Acoustics with Jeff Hedback – Part 2
In Part 1, we discussed the misleading paths that every engineer initially faces when the mix doesn’t translate. We also brought in an important...
Review: Brainworx bx_console Amek 9099
Today, we take on a console that comes full circle from analog to digital, back to analog, and then to plugin form. Of course,...
