LATEST ARTICLES

MY WAVEFORMS ARE WEAPONS: THE AUDIOSCAPE D-COMP

"Oh my God, not another one." - Mrs. B Church That's the thing about leaving the big studios and setting up shop in a converted...

Review: ProtoArc EC100

What's the most overlooked, but important person piece of gear in the studio? No, it's not that bloated list of software synths and plugins...
The Sound of Love Virtual Instrument

Sam Thomas – The Making of the Kontakt/NKS The Sound of Love Lost Virtual...

Instead of doing a review for this post, I decided that the Virtual Instrument "The Sound of Love Lost" was unique enough on its...

THE REAL F-BOMB: THE FLOCK AUDIO PATCH

As you may suspect, reviewing gear does have some pitfalls – a handful of drawbacks but usually your run-of-the-mill "good problems". The latter presents...

GOD COMPLEX: CRADLE’S THE GOD PARTICLE

Though a little light on control, Cradle's The God Particle is big on sound. Does TGP deserve a spot in your plug-in folder? B...

NAMM 2022: ELECTRONIC BOOGALOO

We'll be honest here, virtual tradeshows are not our thing. That's why we chose to sit out our annual NAMM wrapup for the past...

TUBES OF GLUE: THE TEGELER VTC

Hailing from the land of Bosch, BMW, and the Bavarian Pretzel, Tegeler Audio Manufaktur are steadily winning hearts, minds, and rack space. B. Church...

THE HYPE MACHINE: STL TONES CONTROLHUB

It's always a good day here at EverythingRecording when we hear from our friends over at STL Tones. As somebody who records a lot...

HERITAGE AUDIO: THE SECRET OF MY SUCCESSOR.

There are GearSlutz - and then there are SpankSkankz. B. Church's NYC home studio plays home to over a dozen analog compressors. For his...

Avid’s Pro Tools “Re-Tool” Explained in Plain English

If the new restructuring of Pro Tools has you scratching your head, don't worry, Everything Recording has you covered. We will break down each...